Mastul

Beyond the Mast

92 minutes | 2024 | Bangladesh | Narrative | Bangla | Sub. English | All Ages

Schedule

XXI 5 | SUN 27 NOV | 19:00

XXI 5 | TUE 29 NOV | 20:00

World Premiere

Log Line

In the treacherous realm of an oil tanker, an ageing cook’s unlikely bond with a street child unravels secrets and deceit, all while navigating oil theft and power struggles.

 

SYNOPSIS

On a fuel-supplying oil tanker in rivers, Old Maqbool, a compassionate cook wishes luck for all the crew. But the power-hungry Helmsman suspects him as a spy from the vessel owner and harasses him all the time. During port maintenance, Maqbool befriends Noora, a young stowaway seeking refuge. The Helmsman exploits downtime to smuggle oil that attracts the owner’s attention. On a sudden visit, being impressed with Maqbool’s cooking the owner allows Noora to stay as his assistant. Desperate to hide his deeds, the Helmsman falsely accuses Noora of theft, sparking a web of lies and friction among the crew.

Flim Profile

FILM TITLE:  Beyond the Mast
ORIGINAL TITLE:  Mastul
GENRE: Drama
ORIGIN COUNTRY OF PRODUCTION:  Bangladesh
DIRECTOR: Mohammad Nuruzzaman
PRODUCER: Mohammad Nuruzzaman
Creative Producer: Clementine Ederveen
Associate Producer: Sayed Hadiuzzaman
LANGUAGE: Bangla (With English Subtitles)
RUNNING TIME: 92 minutes
COLOR: Color
PRODUCTION YEAR: 2024
STORY: Mohammad Nuruzzaman
SCREENPLAY: Mohammad Nuruzzaman
CINEMATOGRAPHY: Mohammad Arifuzzaman
FILM EDITING: Mohammad Nuruzzaman
ART DIRECTION: Md. Hosnain Linkon
SOUND DESIGN: Mohammad Nuruzzaman
MUSIC: Chaitanya Rajbongshi
PRODUCTION HOUSE: Cine Maker, Bangladesh
CO-PRODUCERS: Gulmohor (Germany), Lotus Film (Ntherlands)
CAST: Fazlur Rahman Babu, Deepak Sumon, Arif Hasan, Aminur Rahman Mukul
AGE RATING: All Ages

DIRECTOR'S STATEMENT:

“Beyond the Mast” is my second feature film venture. In this cinematic exploration, we delve into the intricate dynamics of power struggle and injustice, crafting a narrative that transcends borders.

As an auteur filmmaker, I embraced a hands-on approach, contributing to every aspect of the production, from the screenplay to sound design. Shot aboard a fuel-supplying ship, our collaboration with a modest yet dedicated team and a diverse cast, imbued authenticity into the story.
Utilizing a handheld camera and leveraging real locations and characters, we aimed for rawness and believability, enriching the tapestry. Despite budget constraints, creativity flourished, with diegetic sound and music enhancing the storytelling.

“Beyond the Mast” follows the footsteps of my previous work, “Summer Holiday (2022),” which garnered international acclaim and awards. With a repertoire spanning short films and documentaries, I am thrilled to share our upcoming project, “A Black Cat in the Darkness.”
Warm regards, Mohammad Nuruzzaman

PRODUCTION NOTE:

“Beyond the Mast” marks the second feature from CineMaker, taking the independent production company’s filmmaking to new horizons. Unlike its debut feature “Summer Holiday,” this film blends seasoned professionals with non-actors, a hallmark of the director’s previous work. Real-life crew members of the oil tanker were also part of the cast, adding authenticity to the film.

The production faced the unique challenge of shooting almost entirely aboard a plying oil tanker, with real locations and crowds further complicating scheduling. As controlling on-site noise was impossible, location sound was discarded from the start, paving the way for meticulous post-production sound design. The film’s production began in 2019, but due to interruptions caused by the global pandemic, filming wasn’t completed until 2021. Despite these hurdles, the team’s dedication to crafting a compelling sonic experience made the journey worthwhile.

The involvement of professional technicians for the first time brought new expertise, and some went on to become permanent members of CineMaker. This blend of new talent and experienced team members gave the film a fresh, dynamic energy that stands out in its approach to independent filmmaking.

Cast:

Moqbool in the film, Fazlur Rahman Babu (born 22 August 1960) is a Bangladeshi actor and singer. He won the Bangladesh National Film Award for Best Supporting Actor a record five times for his roles in Shonkhonaad (2004), Meyeti Ekhon Kothay Jabe (2017), Fagun Haway (2019), Bishwoshundori (2020) and Nonajoler Kabbo (2021). He also won Best Performance in a Comic Role for Gohin Baluchor (2017). Babu has also been featured in an Indian film.

The Helmsman of “Beyond the Mast”, Deepak Suman is a Bangladeshi television, theater and film actor. He is also known for his voice acting.
Captain in the film, Actor, director, playwright, designer, film-director, photographer and leader of the Palakar Theater Group – Mukul is a man of many talents.
With the same character name in the film, Sikder Mukit is Bangladeshi actor works in theatre, TV productions and films. He also is a renowned voice artist.
Noora in the film, Arif Hasan played the character “Anaira” in the previous film of the director “SUMMER HOLIDAY”. He was included in this project for his spontaneous acting genius and dedication.

FREQUENTLY ASKED QUEATIONS

The inspiration for Beyond the Mast came from the complex dynamics that occur within confined spaces, such as a ship. The power struggles, deception, and personal relationships that form in these spaces create a rich backdrop for storytelling. The idea of an aging cook bonding with a young stowaway highlights the human connection that can transcend class and circumstance, all while a larger narrative of theft and survival unfolds.

While Summer Holiday focused on a more personal, grounded story with non-professional actors, Beyond the Mast introduced seasoned professionals alongside non-actors, including real crew members from the oil tanker. This blend of experience gave the film a unique energy and authenticity. The new production challenges, particularly shooting on a plying oil tanker, also set this film apart in terms of scale and complexity.

One of the biggest challenges was filming on a working oil tanker, which created significant scheduling and logistical issues. Controlling the environment was difficult, especially with noise from the surroundings, which led to the decision to discard location sound entirely. The COVID-19 pandemic also caused long interruptions, making the production stretch from 2019 to 2021.

Given the uncontrollable noise on the oil tanker and other real locations, we decided early on to forego location sound. This allowed us to focus on designing a rich and immersive sonic environment in post-production. We meticulously crafted the sound design to reflect the film’s atmosphere, blending diegetic sound and music to enhance the storytelling experience.

Including real crew members from the oil tanker added a layer of authenticity that would have been difficult to achieve otherwise. Their genuine presence and natural behavior gave the film a raw, unpolished feel that enhanced its realism. This, combined with seasoned actors, created an engaging contrast that serves the film’s themes well.

At its core, the film is about how individuals navigate power struggles in isolated environments. The relationship between Old Maqbool, the cook, and the Helmsman symbolizes this struggle—Maqbool is suspected of being a spy, while the Helmsman tries to manipulate the situation to his advantage. The introduction of Noora, the stowaway, further complicates these dynamics, as lies and deceit begin to unravel the crew’s relationships.

The use of a handheld camera was intentional to create an immersive, documentary-like feel. It brought the audience closer to the characters and their environment, enhancing the sense of immediacy and realism. The rawness that came from this technique was crucial in depicting the harsh, uncontrolled setting of the oil tanker.

The COVID-19 pandemic caused major disruptions in production. We had to halt filming for extended periods, which delayed the project significantly. However, this break also gave us more time to reflect on the film’s direction and refine certain aspects of production, particularly the sound design.

The soundtrack plays a critical role in shaping the film’s atmosphere. Since location sound was avoided, the soundtrack was designed to be immersive and evocative, using diegetic elements to reflect the environment of the oil tanker. The interplay between silence, ambient sound, and music was carefully orchestrated to heighten the tension and emotion in key moments.

I hope that audiences leave with a deeper understanding of the complexities of power and trust, especially in environments where survival is the primary concern. The unlikely bond between Maqbool and Noora is a testament to the resilience of the human spirit, even in the face of adversity. Ultimately, the film is about finding humanity in places where it seems lost.